Tag Archives: Music

How U2 saved us from the 80s

I am not a music person, in that I can name musicians or songs, or, Heqet forbid, actually sing. In fact, music is to me something like tiny physics or higher math. I know it is interesting, and I like to read or watch well written stories about it, but don’t ask me to explain anything. So, if I were you, I’d stop reading this post right about now.

I am a fan of U2, and I had assumed I was a fan because they make good music. But more recently, I realized that I like U2 also because they saved us from the 1980s.
Don’t get me wrong. There is nothing wrong with Guns N’ Roses, Queen, Metalica, AC/DC, Bon Jovi, Foreigner, Journey, or Motorhead. Probably. Well, to be honest, I can’t name a single song any of them ever made. But my impression is that most of these bands were continuing traditions that date back to the late 1960 (which ran from 1971 to 1977), and not doing a lot of innovation. Doesn’t matter, I’m not an expert. But I’m pretty sure U2 innovated.

Their greatest album is probably Joshua Tree. A couple of years ago I went to the Joshua Tree (revival?) concert performance at the Big Corporate Thingie Stadium* in Minneapolis. It was the best of concerts, it was the worst of concerts. Best because it was one of the great bands of the century (last century; too early to tell for this century) performing their arguably best album with all their own retrospect sewn in. Worst because Big Corporate Thingie Stadium was not built for musical performance despite the oversize duvet covers they hung on some of the walls. That stadium was built, more than any other stadium built to date since Roman times, to have the worst acoustics possible, which is necessary to confabulate the visiting offense during football games.

Eagle Rock produced a documentary on The Joshua Tree (1999), which includes conversations with U2’s members. (Did you know one of them is named The Edge? Well, that’s Mr Edge to you. Me and The, we’re on a first name basis. I wrote him a letter recently. It started out, “Dear The,” But I digress.) Anyway, the conversations are revealing because they pin down the ways U2 stepped aside from what was going on, musically, in the middle of the 1980s, and how they scraped against, and punctured through, the envelope everyone else was operating in. The thing is, U2’s hard turn from the usual direction “immediately catapulted the band into the category of rock superstars.” This catapulting caused the innovation by this group to be fully real, to not just fade away. Innovation, breaking away from traditional producing methods, paying attention to the rhythm section (aka drums), producing the album in a house instead of a studio, embracing encouragement over competition. All these things and more.

Joshua tree was in part a response to an ongoing takeover of of America by extremist Republicans (not recognized by most at the time) and similar deterioration of humanity going on elsewhere, and thumb in the nose to the stolid keepers of the musical way of the time (see list of bands above).

I won’t discuss the how or why here, but the album came along at a time in my life that was well suited to that particular soundtrack. That, however, means almost nothing compared to the meaning for the mothers in Chile.

A century and a half ago, my ancestors came forth on this continent because they chose a risky move over near certain starvation in Ireland. Just under a half century ago my distant cousins came forth to address America with a series of questions and inspirations. When you think about it, there is nothing more American than starvation. It also turns out that there is nothing more American than a foreign band adopting us as their errand child. Also, just so you know, Yucca brevifolia is endemic, nothing more American than the Joshua tree.

Songs on this album:
Where the Streets Have No Name
I Still Haven’t Found What I’m Looking For
With or Without You
Bullet the Blue Sky
Running to Stand Still
Red Hill Mining Town
In God’s Country
Trip Through Your Wires
One Tree Hill
Exit
Mothers of the Disappeared

U2 Band Members past and present:
Bono
Ethe Edge
Adam Claton
Larry Mullen Jr
Dik Evans
Ivan McCormick


*I prefer not to partake in the “naming rights” scam, thank you. I refer here to the stadium the Vikings play in.

Music and expertise among hunter gatherers: Distant Echos with Yo Yo Ma

Distant Echoes is a very special documentary. I remember well when first came out. I briefly met Yo You Ma at the time, because he came to my Anthropology department for the first showing. The documentary was shown around for a brief time, then disappeared from the world (except for those of us who had pilfered copies to show in our classes). I just discovered it is now available, so I’m telling you about it.

I want to make this point, which is touched on here. Hunter gatherers, such as the Ju/’howansi in this film, typically have experts among their society, on various things. Medical/magico, various crafts (I knew an Efe knot tier everyone revered), making various tools or pottery, and music. As far as I know all hunter gatherer societies do a fair amount of music, and typically everyone participates. Music (singing and some instruments, always dancing) is practiced by everyone, but variation in talent exists, and it is (obviously) known of.

You hear Irv DeVore mentioned in the documentary. He was my advisor, and I was his last PhD student.

Yes, that is Richard Lee, and he and DeVore are the editors of the famous “Man the Hunter” volume.

By the way, you can’t figure out what the heck hunter gatherers are doing by watching. Or, often, asking. You have to immerse, learn, and do. That fact is not unique to foragers, it is true of all things that are hard to do universally. But for some reason people are surprised to find that this is true with foragers, and in this manner, a lot of bad anthropology has been done.

Enjoy:

Davy Jones Died

Davy Jones suffered a heart attack and died, in Florida, at 66 years of age.

Davy Jones, the lead singer of the 1960s group The Monkees, died of a massive heart attack Wednesday in Florida, his spokeswoman said. He was 66.

His publicist, Helen Kensick, confirmed that he died in Indiantown, where he lived.

Jones rose to fame in 1965 when he joined The Monkees, a British popular rock group formed for a U.S. television show. Jones sang lead vocals on songs like “I Wanna Be Free” and “Daydream Believer.”

Jones was born Dec. 30, 1945, in Manchester, England. His long hair and British accent helped Jones achieve heartthrob status in the United States.

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The video Peter Fincham does not want you to see.

Tim Minchin's Face
Tim Minchin rhymes with Peter Fincham. But what rhymes with Parthenogenesis?

Who the F%#K is Peter Fincham? Nobody knows, nobody cares. All you need to know is that he used to work as director of television for some TV show1, saw the following video, and used his big fat power trip to make sure it was not shown because it insults The Lord Savior Jesus H. Christ Himself. Which it doesn’t, really. I know Jesus personally, having been an Altar Boy and stuff, and I’m sure he would love this. Continue reading The video Peter Fincham does not want you to see.

LeRoy Bell’s Music

i-f6aa4ebf34034dfd265139e5dea82cd9-LeRoy_Bell_guitar.jpgAs you know, my nephew, LeRoy Bell, was a contestant on the XFactor singing contest. You may also know that he was voted off the show last week. I’m not going to say much about that other than to note that LeRoy was NOT the 8th or 9th best singer in the group. He was clearly in the top three, and he was voted off prematurely. But that’s how these things work. In the end, America will Choose. A Country Western Act.

Anyway, I thought that by way of acknowledgment of LeRoy’s Talents I’d point you to his previous work. It’s all good. You can get his CD’s or download individual songs on iTunes (I assume) or Amazon or wherever you download his stuff. Personally, I like the CD’s because then I really own them.

Continue reading LeRoy Bell’s Music

Jakob Trollback: Rethinking the music video

What would a music video look like if it were purely directed by the music? Not driven by a concept, nor by a desire to build an image, but purely as an expression of a great song? Designer Jakob Trollback shares the results of his experiment in the form. The song is “Moonlight in Glory,” from David Byrne and Brian Eno’s classic album My Life in the Bush of Ghosts, remastered in 2006.

Continue reading Jakob Trollback: Rethinking the music video