The truth about the Statue of Liberty and that poem and everything.
The Statue of Liberty has been a symbol of American openness to immigration since it was built. However, modern White Supremacists want us to believe it was something else. I found one example of that on the Internet, writtne by Hunter Wallace with the tags “Identity” and “The Jewish Question,” and titled “David Brooks: The Great War for National Identity”:
…millions of Jews came to the United States during the Great Wave. Much of the early 20th century is the story of how these Jews rose from working class occupations into the American middle class before ascending into the highest levels of the American elite.
By the mid–20th century, America’s traditional Anglo-Protestant elite was being replaced by a more cosmopolitan New York-based Jewish elite. This new elite wasn’t and never has been exclusively Jewish (it included, for example, Catholics like the Kennedys), but was predominantly so, enough for Jewish intellectuals to have a major impact on American culture.
Around the mid–20th century, Jewish intellectuals began to change American culture and rewrite American national identity. They introduced new concepts like “racism” and new taboos like “anti-Semitism.” They concocted the myth that America was “a nation of immigrants.” Previously, Americans had no clue that there was even such a thing as “racism,” or that “anti-Semitism” was immoral, or that “we are all >…immigrants.” As Jews became more concentrated in culturally sensitive institutions (i.e., the elite news media, top universities, the entertainment media), they introduced an entirely new moral code.
The Statue of Liberty is one of my favorite examples:
“The Statue of Liberty myth provides a good case study of the shift to a post-WASP, consensus-liberal version of America. In current parlance, the Statue of Liberty is viewed as a symbol of the openness of America to immigration, and the plaque at its base by Emma Lazarus, which urges other nations to “Give me your tired, your poor, your huddled masses,” is believed to be organically connected to the statue and its liberal-universalist narrative. Unfortunately, reality is not so simple. Lazarus’s poem was not present when the statue was inaugurated in October 1886. Nor did President Grover Cleveland make any mention of the statue’s significance for immigrants in his acceptance speech.
Some Americans, especially Protestant clergymen, greeted the gift of the statue cautiously. In addition, the statue was often viewed less as a beacon for immigrants than as a guardian of American purity. As for Emma Lazarus’s oft-quoted poem, it was first erected on the interior wall of the immense statue in 1903 owing to the financial contribution of one Georgina Schuyler. Schuyler had donated the bronze plaque in memory of Lazarus, an obscure poet of Jewish ancestry whose work she admired. Not until the 1930s did the contemporary myth of a statute to immigrants arise – exactly the period in which the cosmopolitan ideas of America’s organic intellectuals were starting to win wider elite acceptance. In turn, this attitude change prompted officials to relocate Lazarus’s obscure poem to its current position at the base of the statue. …”
You can read all about this and much more in Eric P. Kaufmann’s … The Rise and Fall of Anglo-America. I highly recommend it.
Kauffman is a fairly obscure figure, but he seems to have promulgated the myth that America, as a country, was made up at the time of the American Revolution of almost entirely white British Protestants. That is a myth that ignores the non-Protestants or at least non-mainstream Protestants such as Quakers, Shakers, and various other sundry groups, Catholics, non-religious, etc. white people from Britain, all the non-British that came from Europe, all the Africans who were here non-voluntarily (about 20% of the population in the 1770s), and the Native Americans (about 100,000 within the colonial boundaries, but a strong majority in the western areas being settled at the time). White British Protestants were probably a minority in the land between the coast and the farthest extent of settlement (up to the French territories) at the time of the revolution, and that proportion of society certainly shrank further in the decades immediacy following the Revolution when additional lands occupied mainly by Native Americans, but also French and Spanish and others, were added to the US. And, it shrunk father when immigration from across Europe including many Germans, and across the rest of the world, including, obviously, more Africans, and many from the Middle East and Asia, occurred as well.
Roughly speaking, by 1790, English members of the US population was about just over half of the total, with non British Europeans being about 10%. British-Protestants may have been just barely a majority, but just. We were not a pure land of wasps at the time, or any time since.
The Statue of Liberty was at the time it was built, and is recognized today as having been built as, a monument to American Liberty, as in the American War of Independence. It dates to the centenary celebration of the Declaration of Independence, more or less. From Wikipedia:
The torch-bearing arm was displayed at the Centennial Exposition in Philadelphia in 1876, and in Madison Square Park in Manhattan from 1876 to 1882. Fundraising proved difficult, especially for the Americans, and by 1885 work on the pedestal was threatened by lack of funds. Publisher Joseph Pulitzer, of the New York World, started a drive for donations to finish the project and attracted more than 120,000 contributors, most of whom gave less than a dollar.
As part of the fundraising effort, Emma Lazarus, who was at the time heavily involved in helping refugees who had left eastern Europe under pogroms there against Jews, was asked to write an original poem. Clearly, the idea of freedom and liberty and the promise of America were tied together in the minds of all the people involved in erecting this statue, which is why the poem linked to both the statue and the fund raising was about the openness of America to receive the tired, poor, huddles masses.
The original manuscript for the poem, “The New Colossus,” is curated by the American Jewish Historical Society, which is always happy, I’m sure, to do its part in the Great American Jewish Conspiracy to annoy 21st century white supremacists.
Here is the poem:
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
MOTHER OF EXILES. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”
Stephen Miller, representing the White House and Donald Trump, gave the White House Press corps a pretty straight forward White Supremacist line. Me? I’d rather have the coarse and belligerant Scramucci than this guy. Well, neither, actually.